Format

2018
Installation
• 1 polyptych of 6 photographs, each 100 × 70 cm (old cinema space belonging to Gecamine)
• 1 triptych of 3 photographs, each 100 × 70 cm (private cinema from the township of Katanga)
• 1 triptych of 3 photographs, each 100 × 70 cm (pirated DVDs from Tanzania)
• 1 diptych of 2 photographs, each 100 × 70 cm (old projector from Gecamine cinema space)
• 1 polyptych of 4 photographs, each 40 × 40 cm (movie archives)
• 6 Gecamine identity card archives
Exhibitions
"Multiple Transmissions: Art in the Afropolitan Age", WIELS Brussels, 2019; Lubumbashi Biennale, 2019

Format questions the activity of movie theatres in Katanga Province before and after independence. Before independence, the social classes between Black community and White community created deep divisions.

I focused one part on the Gécamines Mining company and the privileges offered to their employees, such as hospitals, libraries, swimming pools, and cinemas. These spaces started falling apart at the end of 1989 due to financial crash. Revisiting spaces used to project films connected to Gecamine, they are for me assembled in an archive that represents survival.

The period following independence is part of my personal identity which witnessed the fall of Gécamines. People from Katanga that did not belong to a privileged social class as workers for Gecamine needed to figure out how they could have access to moving images. I was more focused on the Commune of Katuba.

The commune of Katuba where I grew up was one of the first indigenous communes to have a bank loan system for building houses. Those houses were composed of one big living room, two sleeping rooms, and one little small room that was used as storage. In a township like Katuba, televisions were very rare. People who had them, it was a special object managed only by the responsible of the house (the father). Without him, no one could enter the living room or turn on the television. To watch a movie or football game, it had to be a very specific occasion.

Many owners of televisions didn't want to receive people at their places anymore, so they decided to create a system that could benefit them and their family. The idea was to transform their own living room into a private and at the same time public cinema theatre, where people could come to pay and watch a movie, a football competition, or cultural activity, depending on the program of the day.

I decided to revisit those private and public cinemas to see how they have become today and what role they still play in society after all these years. In 1996, when the dictatorship ended in Congo, the borders were opened for those who could travel and do business out of Congo. In less than two years, especially at the beginning of 2000, there was a huge market of televisions and VCD players in Katanga.

Polyptych: Old Cinema Space (Gecamine)

Old cinema space, Gecamine
Old cinema space, Gecamine
Old cinema space, Gecamine
Old cinema space, Gecamine
Old cinema space, Gecamine
Old cinema space, Gecamine

Triptych: Private Cinema from Katanga Township

Private cinema, Katanga township
Private cinema, Katanga township
Private cinema, Katanga township

Triptych: Pirated DVDs from Tanzania

Pirated DVDs from Tanzania
Pirated DVDs from Tanzania
Pirated DVDs from Tanzania

Diptych: Old Projector from Gecamine Cinema Space

Polyptych: Movie Archives (40 × 40 cm)

Movie archive
Movie archive
Movie archive
Movie archive

Gecamine Identity Card Archives

Gecamine identity card
Gecamine identity card
Gecamine identity card
Gecamine identity card
Gecamine identity card
Gecamine identity card

Exhibition: Multiple Transmissions, WIELS Brussels, 2019

WIELS Brussels, 2019
WIELS Brussels, 2019
WIELS Brussels, 2019

Exhibition: Lubumbashi Biennale, 2019

Lubumbashi Biennale, 2019
Lubumbashi Biennale, 2019
Lubumbashi Biennale, 2019
Lubumbashi Biennale, 2019

Context: The project revisits movie theatres in Katanga Province before and after independence: from Gecamines' colonial-era cinemas for privileged employees to the private-public cinemas created in living rooms in the Commune of Katuba.